Print Page | Contact Us | Sign In | Register
Latest News
Blog Home All Blogs

A Quick Guide to Gender Inclusion

Posted By John Meredith, Friday, August 2, 2019

This past week we published to Facebook a guide to Creating Space for Gender Diverse Theatre & A Guide to Using Pronouns in the Theatre written by M Sloth Levine, John Meredith, and the Gender Explosion Initiative.

The guide spread like wildfire across the country and even out to other continents. And today that guide reached 200k views! Check it out below, view the PDF, or print a printer-friendly copy to keep for reference.

While you're at it check out the other Gender Explosion's other resources here to keep building a more inclusive theatre community!

 

Tags:  Gender Explosion  StageSource 

Share |
PermalinkComments (0)
 

NENPA Welcomes New Leadership

Posted By StageSource, Monday, July 29, 2019
Updated: Wednesday, July 24, 2019

New England New Play Alliance
Welcomes New Leadership,
Bids Adieu to Co-founder Patrick Gabridge

 

The New England New Play Alliance (NPA) has announced that co-founder and coordinator Patrick Gabridge will depart the organization after six years, to be replaced by playwrights Greg Lam and Lisa Rafferty. Gabridge, who helped found the Alliance in 2013, is a prolific playwright and novelist. He departs in order to concentrate on his many creative projects, including his site-specific theatre company Plays in Place. NPA brings together organizations and artists to grow audiences for new plays, to support new play development and to increase awareness of plays and playwrights in the Greater Boston/New England area, under the umbrella of the pre-eminent theater organization StageSource.

Patrick Gabridge helped select the two incoming coordinators who bring a wealth of different skills and perspectives to the Alliance. Offers Gabridge, “Getting to work on the various NPA projects has been very rewarding - a chance to work to improve the new play ecosystem in New England. Lisa and Greg will bring energy and enthusiasm and find exciting new projects, building on the successes we've had so far.”

Adds Dawn M. Simmons, Executive Director of StageSource, “Our partnership has been incredibly successful with the publication of the New England New Play Anthology, and events like the New Year, New Plays mixer, which puts writers in the room with companies actively engaged in new work. Pat is leaving the organization in great hands. Lisa and Greg are some of the region’s most prolific artists and they really care about the regional new work ecology.”

Lam and Rafferty plan to continue Gabridge’s work in amplifying New England playwrights, further enhancing the scope of new play development in Boston. “There’s an embarrassment of riches in the New England playwriting community,” says Lam. “We want to do everything we can to highlight that fact."

The New Play Alliance promotes new work through its weekly email newsletter, holds public events and workshops in topics useful to the region’s playwrights, and researches the impact of new play production to further its mission of increasing the number of new plays produced, increasing the audience of this new work, and to spread the word about the work outside of New England. Two years ago, the New Play Alliance published the New England New Play Anthology, a collection of new plays written by New England writers, developed by New England theaters, including plays by Kirsten Greenidge and Melinda Lopez. The New England New Play Alliance is a StageSource project, part of the largest art-service organization dedicated to theatres and theatre artists in the region.


Greg Lam is a playwright whose science fiction inspired work has had recent readings by Company One and Fresh Ink Theatre. He is known for the podcast he created in 2017, Boston Podcast Players, in which he interviews talented Boston-area playwrights and spotlights their new plays. He was named one of the five Fellows in Dramatic Writing from the Massachusetts Cultural Council in 2019, and the inaugural Pao Fellow for the Company One PlayLab in 2019. Lam co-founded the Asian-American Playwright Collective and works with Artists’ Theater of Boston as their Development Associate.

Playwright, director and producer Lisa Rafferty has created several documentary plays including SHE DID ALL THAT - Betty Ford: Speaking Out, Saving Lives about a courageous and unforgettable First Lady. Also THE LEGACY OF WELLES REMY CROWTHER about the 9/11 hero, and the world premiere of Boston Theater Company’s FINISH LINE, about the 2013 Boston Marathon, with Joey Frangieh. Her comedies – The MOMologues (1, 2 and 3) - published by Samuel French, have appeared in 26 states and five countries. She wrote a comedy about breast cancer with other survivors: Pink Ribbon Overdose. She is the producing director of the Elliot Norton Awards and teaches theater at Bridgewater State University. Lisa is a proud member of the Dramatists Guild and the Stage Directors and Choreographers Society. www.birchtreeproductions.company

Tags:  #NewPlay  #StageSource  StageSource 

Share |
PermalinkComments (0)
 

On Being "Pissed" in 2017: The Stage Source Conference

Posted By Julie Hennrikus, Thursday, May 25, 2017

By Adam Sanders

In an interview published in the Harvard Business review Twyla Tharp, the legendary choreographer was prompted by the interviewer: “You’ve said repeatedly that every act of creation is an act of violence and destruction and that one of the artist’s most valuable conditions is ‘being pissed.’” While the prompt is provocative, her response is more constructive: “It’s not the anger per se that’s valuable; it’s the energy that can come from it.”  I haven’t spoken to an artist in Boston that’s not “pissed” right now and the energy in the community is palpable. It’s good that we’re pissed! But we’ve got to come together to collaboratively harness this energy to address specific challenges. That’s one of the reasons I’m looking forward to the Stage Source Conference this June 17th. 
 
The theme for this year’s conference is “Arts Activism: Where Do You Fit In?”  I know many people in the community have a strong sense of themselves as activists, but for me the question has always lived somewhere in the back of my mind. Recently it’s become a primary concern.  I’m sure I’m not alone.  This conference will provide opportunities to be inspired, reflect and brainstorm, get practical advice from actors, playwright, designers, administrators (you name it!), and will conclude with a community session where the group will come together, as activists, and outline goals to tackle in the years ahead. 
 
You learn pretty quickly in acting that the answer is always in your scene partner.  Looking forward to seeing my partners at the conference and hearing their questions and answers!

 

ADAM SANDERS BIO: Adam Sanders is the Associate Artistic Director for Commonwealth Shakespeare Company in Boston, MA and the Associate Director of the Sorenson Center for the Arts at Babson College where CSC is the theater in residence. Adam oversees educational and community engagement for CSC, including serving as director for the company’s two actor-training programs: The Apprentice Program and CSC2, as well as directing the annual Stage2 performance series. At Babson, Adam works to strengthen the synergies between arts engagement and entrepreneurial education by programming a year-long performing arts season, cultivating workshops and discussion, and coordinating an undergraduate scholarship program for student-artists.

Tags:  #SC17ArtsAct  Adam Sanders  Babson Arts  StageSource  StageSource Board 

Share |
PermalinkComments (0)
 

Why this topic now?

Posted By Julie Hennrikus, Tuesday, May 9, 2017

This year is a conference year for StageSource, and we are excited about our June 17 convening. When we picked our topic last September, we decided to focus on "Arts Activism: Where Do You Fit In?", thinking it would be about the theater community taking on a larger role in advocacy regarding government funding, and around space issues. Given the changes in the past few months, including the potential abolishment of the NEA and the NEH, we are expanding the focus of the conference. Rather than focusing on what the arts community needs, we are going to focus on what our statement of purpose is. How do we intersect with the community? Education? Science? Housing and development? Other sectors? What do we offer? Where can we do better? How do the arts intersect with politics? What is the role of the artist as citizen?

The structure of the day will be interesting, opening with a keynote by Tory Bullock, a panel with arts activists, a conference wide session with Matt Wilson to talk about arts advocacy, with some community organizing lessons for the community. At lunch we will have sessions for specific areas (marketing for new work, playwrights pitching to directors, raising money in 2017, etc.) and roundtables focusing on the business of the arts.

 

After lunch we will be working on the statement of purpose. There will be two sessions for performative devised work to be created. There will also be several working groups who focus on writing a draft of statements of purpose for the arts community. We look forward to this full day of action, activism, and investment.

 

Register here. And stay tuned for more input on why this is important to the StageSource board and conference committee.

Tags:  #SC17ArtsAct  Arts Activism  Conference  Julie Hennrikus  StageSource 

Share |
PermalinkComments (0)
 

StageSource Partners